Today (15-Sep-09) morning in FM Gold, Violin Maestro A.Kanyakumari's concert was broadcasted (7 AM to 8 AM IST). Shri K.V.Prasad was on the mridangam and Shri Govindarajan was on the ghatam. It was a fantastic treat for the morning. The concert steadily begun with karimukha varadha in the rAgA nAttai. There were swift flowing kalpana swaras. The rAgA's majesticity was well shown in the sAhityA and the swArAs.
Then was the song composed by Shri G.N.Balasubramanian in the rAgA yadhukulakAmboji, paramakripasAgari. Since it was a G.N.B's composition it was in a fast tempo when compared to other yadhukulakAmboji rAga songs. It didnt let the listener to sleep. Instead it was like a revolutionary song!
The third was tyAgarAja's aadamOdi galadE in the rAgA chArukEsi. Kalpana swaras were played at the end in a traditional way. The fourth song was Smt Ambujam krishnA's Aum NamO NArAyaNA in the rAgA karNaranjani. The brihAs for the line "kinkini kini Ada.." in the charanam proved the innovative thoughts of the artiste.
Then was Arabhi mAnam vaithaL, a 12 rAgA rAgamALika song. The highlight here is that the artiste played all 12 rAgAs - Arabhi, Anandabhairavi, kalyANi, Hamsadhwani, SArangA, SAmA, MOhanam, Lalitha, darbAr, bhairavi, poorvikalyANi, kamalamanOhari - both in forward and reverse order in the AlApana. The transformation from one rAgA to other using a common swarA is commendable. In the kalpanA swaram also this transition was there. It was a genius work. Tani Avartanam by the percussion artistes needs a special appreciation. Since I am not that much informed about the jathis and korvais I am unfit to write about it. But I enjoyed the rhythm. The concert concluded with a durgA rAga composition by sri dayAnanda saraswathi on Lord RAmA. RAmam bhajE shyAmam manasA was studded with melody.
A good and innovative concert.